| Helmi Fagan
Associate Director
|
Helmi trained at Middlesex University and University of California East Bay, resulting in a BA Hons in Theatre Arts, graduating in 2008.
At University she directed Greenland by Howard Brenton and Mourning Becomes Electra but Eugene O’Neil. As Stage Manager, she managed a new write called Believe It of Not. Since leaving University, as an Assistant Director she has worked on three productions for Connaught Productions at the Frinton Summer Rep. They were The Decorator and How the Other Half Lives assisting Jonathan Holloway and I Ought to Be in Pictures assisting Edward Max. As a Production Manager she brought Carol Churchill’s play This is a Chair to the Camden Fringe last year. She has also worked as a designer and technician for Nadine’s Window, designing The Children’s Hour and Daisy Pulls if Off for Baron’s Court Theatre. She also works as a creative workshop facilitator, her most recent project has been a national initiative working with a group aged 14-25,on accessibility into culture. Helmi has a strong grounding in performance and as part of her final year wrote and performed a stand up comedy set at the Kings Head pub in Crouch End. |
| Alexandria Kerr
Designer |
Alexandria Kerr graduated in 2008 from the Theatre: Design for Performance course at Central Saint Martins. Credits include prop making, assisting and model making for productions at the Globe and Trafalgar Studios. Other work includes set design for the Tower Theatre Company’s Hamlet at the Theatro Technis in London and set and costume design for a modern adaptation of Liz Lockhead’s Medea at the Contact Theatre in Manchester.
Alex first became aware of Alea Theatre when designing Arnošt Goldflam’s Dolls and Dollies as part of SJC Production’s Home. The site specific collaboration brought together a collection of artists to present and perform their work in an Edwardian mansion in South London. Alex enjoys any opportunity to devise and create original work in theatre, film and photography. |
| Chris Paddon
Performer/Deviser |
Chris has been living and acting in London for several years, performing in everything from classical theatre to new writing. The most recent of which saw him playing an urbane London fox as part of the Camden Fringe. His last appearance at the space was as Jimmy in “A Time To Remember” and this is his first time with Alea Theatre, who are providing him with the chance to combine all his previous experience into a piece of new writing originating from two classic scripts. |
| Hester Read
Performer/Deviser
|
Hester graduated last year from Drama Studio London where she trained on the one year postgraduate acting course.
Prior to this she gained a BA (hons) Drama with Music degree from the University of Huddersfield. Since graduating Hester has had success in two touring productions. The first ‘Wasted’, a road safety production touring to schools within the Leicestershire area with the company Citizen 598, playing teenager Chloe. Her second tour was in ‘Aladdin’ with Chaplins Pantomimes touring from London playing Dame Widow Twanky. Hester also appeared in Universal Citizens production of ‘Panphobia’ at the Lost theatre earlier this year and is looking forward to making her official fringe debut in ‘Antagone’. |
| Adam Sibbald
Associate Director
|
Adam Sibbald graduated from Central School of Speech and Drama in 2008 after gaining a BA (Hons) in Drama Applied Theatre and Education. Whilst at Central, he collaboratively devised several shows including Bullet Time, No Words Left and An Artist and a Mariner which was performed at The Minack Theatre, Cornwall, in 2005. Directing credits whilst studying also include ‘Gargoyles’, an innovative mixed media performance and ‘Seven Sins’ with A Level Students at Farnborough College.
Since graduating Adam has directed and assistant directed a variety of professional shows in London. Directing credits include Aleastory for ‘The Festival Of…’ with Alea Theatre, Fractured with Knock-On Theatre and The Trunk at The Canal Cafe. Assistant directing credits include Doctors Daughter with Joyce Branagh at Central School of Speech and Drama with a cast of 20 students, Riff Raff with Bill Buckhurst at the Arcola with Alarum Theatre Company, Twelfth Night at The Bridewell Theatre with C Company, and The Return from Parnassus with James Wallace and The Sea Voyage with James Chalmers at Shakespeare’s Globe. Adam is currently rehearsing Tales of the Harrow Road, which will be opening at the Soho Theatre later this year. Adam has attended John Menzies Kitchen open access courses run by Tom Stoppard and Joe Hill-Gibbons at Bristol Old Vic, as well as Shakespeare’s Globe Directors Day run by Tim Carroll. He was also invited to attend the Company of Angels Young Theatre Makers annual workshop. Adam has also worked at Shakespeare’s Globe as Education Events co-ordinator representing the Globe at the STAA (Shakespeare Theatre Association of America) and BSA (British Shakespeare Association) conferences in London. Adam is an Associate Director with Alea Theatre Company and is the founder of Washed Away Theatre project. |

Associates operate under the terms and conditions of an Alea Visa©, via official application and a rigorous vetting process. Once an Alea Visa© has been granted, the Associate is responsible for honouring the conditions of the Alea Visa©. If the Alea Visa© is violated, any ‘contractual agreement’, and/or related binding agreements, may be terminated by the company and executive members.
Terms of violation for an Alea Visa©:
- Under no circumstances should an Alea Visa© holder attempt a project that is easy, simple or straightforward.
- An Alea Visa© holder must be able to achieve the means of the establishment with little or no money- an Alea Visa© holder is not above begging
- An Alea Visa© holder must not allow other natives to fall short of basic survival materials (i.e.: a large supply of sour sweets must be available for Matt at all times.)
- An Alea Visa© holder must not shout, flee the territory or tear a script to shreds if sudden changes are made. Alea Visa© holders are adaptable, accepting and proud to pull brilliant ideas out of their asses.
- An Alea Visa© holder should, under no circumstances, visit Cancun or any other far off land without first inviting other natives to be part of the experience. A nation that drinks cocktails in Mexico together…stays together.
Any Alea Visa© holder found to be in violation of any of these laws will be subject to public humiliation by ‘Yankee’ label.**
** All of the above may not, in fact, be remotely true: subject to Banter and Fanter© regulations. Those who wish to adhere to the guidelines set out by the office of Alea Visas© is thoroughly welcome to do so, and will only see their stock rising in the esteem of Alea Executives.
For further information, please contact Alex “Yankee” Kerr @ Qfwfq@aleastory.co.uk



