‘Show, don’t tell.’


“Stop trying to say something and say it!”

These words pounce on to the page as I try to write the introduction to a response to watching 21 grams for the first time. Appropriate, as I stared at the three previous abortive attempts. And further appropriate as they sum up what I actually want to say…

A lot is made of narrative structure: the kind that accommodates pragmatically measured ‘acts’; reveals, clinchers, revelations, restoration, progress, catharsis. I have found that in recent years a lot of cinema has been released solely to satisfy this kind of ‘fix’-narrative, providing highly satisfying experiences… at the expense of moving its audience.

Is this done in anticipation of reviews? Of expectancy? Of an apparent decreasing span of attention and/or sensitivity to stimuli in new audiences?

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